Hermann  Goetz [Götz]

Hermann Goetz (1840-1876)

Nationality: German
Born: December 7, 1840, Königsberg
Died: December 3, 1876, Hottingen (age 36)
wikipedia

Piano Quintet in c minor, Op. 16

(for violin, viola, cello, bass and piano)
I. Andante sostenuto - Allegro con fuoco
II. Andante con moto
III. Allegro moderato (Quasi Menuetto)
IV. Allegro vivace
Composed: 1874 (age 33-34)
Published: 1878, posthumously, Leipzig: Kistner
Duration: 25 minutes (approximately)
2 recordings, 8 videos
10:13
Oliver Triendl, et. al.
I. Andante sostenuto - Allegro con fuoco
6:57
Oliver Triendl, et. al.
II. Andante con moto
3:30
Oliver Triendl, et. al.
III. Allegro moderato (Quasi Menuetto)
5:25
Oliver Triendl, et. al.
IV. Allegro vivace
9:26
Ensemble Il Trittico
I. Andante sostenuto - Allegro con fuoco
7:26
Ensemble Il Trittico
II. Andante con moto
3:21
Ensemble Il Trittico
III. Allegro moderato (Quasi Menuetto)
5:09
Ensemble Il Trittico
IV. Allegro vivace

From Edition Silvertrust:

Hermann Goetz "Hermann Goetz's Piano Quintet is unlikely to become popular among amateurs because it calls for a double bass. This is all the more regrettable as the composer has produced a work of real importance."

—This was the opinion of the respected chamber music critic Wilhelm Altmann, writing in Cobbett's Cyclopedic Survey of Chamber Music.

Hermann Goetz (1840-1876) studied theology and mathematics in Königsberg where he was born. Eventually he switched to music and attended the Stern Conservatory in Berlin where he studied with the founder Julius Stern, as well as Hans von Bülow and Hugo Ulrich. In 1862, he succeeded Theodor Kirchner as organist at the church in Winterthur.

The Piano Quintet, his last chamber music work, was composed in 1874, but was not published until two years after his death. On the manuscript is an anguished quote full of suffering taken from Goethe. Goetz, who well knew he was dying of tuberculosis, poured much of his sorrow and bitterness into this excellent piece. The opening movement begins softly with a funereal, Andante sostenuto introduction. Full of grief, it gives way to a highly dramatic Allegro con fuoco which clearly evinces his anguish at what he knows is his impending death. The second movement, Andante con moto, has a warm, affectionate melody for its main theme. The following Allegro moderato, quasi Menuetto is a cross between a scherzo and a march of destiny. In the wonderfully contrasting trio section, the cello produces what is the only happy melody in the quintet. It is a naive and innocent dance. The finale, Allegro vivace, begins with a syncopated devil's dance that races along with much forward energy.

© Edition Silvertrust. Used by permission. All rights reserved.

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