Book 1 - No. 5 - D major - Fugue
music || notes || words || images prelude



4 voices
12 subject entries
Subject splits into two motives that influence counter subjects, episodes and an interesting conclusion.


Bruhn makes a solid case for showing up to 3 distinct countersubjects but they are admittedly weak in terms of independent character and tend to be restricted to single voices. They are omitted here.