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Piano Trio No. 1 in c minor, Op. 9
(for violin, cello and piano)
| 11:12 | I. | Allegro appassionato | |
| 6:49 | II. | Adagio espressivo, non troppo lento | |
| 5:55 | III. | Moderato quasi Allegretto - Trio. Più mosso | |
| 10:31 | IV. | Finale. Allegro molto vivace |
Duration: 34 minutes (approximately)
Published:
1855 (age 25-26)
1 recording,
4 videos
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autoplay
11:12
Aldo Orvieto, Dora Bratchkova, Michel Dispa
I.
Allegro appassionato
6:49
Aldo Orvieto, Dora Bratchkova, Michel Dispa
II.
Adagio espressivo, non troppo lento
5:55
Aldo Orvieto, Dora Bratchkova, Michel Dispa
III.
Moderato quasi Allegretto - Trio. Più mosso
10:31
Aldo Orvieto, Dora Bratchkova, Michel Dispa
IV.
Finale. Allegro molto vivace
Related Composers
Robert Schumann (1810-1856)
Teacher
Nationality:
German
Born: June 8, 1810, Zwickau, Saxony Died: July 29, 1856, Endenich, near Bonn (age 46)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- appassionato, passionato, passionné [F], avec passion, passionnément—passionate; ardent
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- espressivo [I], con espressione, expressif [F], con expresión [S]—expressive, with expression.with feeling
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- molto [It]—very much
- mosso—moved, with motion, stirred, agitated
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- piano trio, Klaviertrio [G], Trio avec piano [F]—ensemble comprising violin, cello, and piano or a composition for such an ensemble. Second only to the string quartet as an essential genre, form, and ensemble of chamber music, filling a large part of the classic and modern repertoire with contributions from nearly every important composer. Explore the piano trio | wiki
- più—more
- quasi—almost, almost like, as if
- trio (1)—an ensemble or work for 3 players
- trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.
- troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
- vivace—brisk, lively tempo faster than allegro