Scores & Links
IMSLP (score)
Alexander Winkler (1865-1935)
Nationality:
Russian
|
German
Born: March 3, 1865, Kharkiv Died: August 6, 1935, Besançon (age 70)
String Quartet No. 2 in d minor, Op. 9
(for 2 violins, viola and cello)
| I. | Prélude et Fugue. Prelude. Lento - Fugue. Allegro con brio | ||
| II. | Variations sur un air de ballet d'A. Glazounow. Introduction. Andante semplice - Air de Ballet. Allegretto | ||
| III. | Larghetto | ||
| IV. | Finale. Allegro |
Published:
1901 (age 35-36)
Related Composers
Sergei Prokofiev (1891-1953)
Student
Nationality:
Russian
|
Soviet
|
Ukrainian
Born: April 27, 1891, Sontsovka, Ukraine Died: March 5, 1953, Moscow (age 61)
glossary
- Air [Fr], Air [E], Ayre [E], Aire, Aria [I]—Song. Traditionally indicates a piece of melodic or vocal nature as opposed to one of dance-like character (i.e. in form or rhythm). An aria typically refers to a formalized song within an opera context for one or more voice
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- brio [I], con brio, brioso—vigor, vigorously, with fire
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- et [Fr]—and
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- fugue, fuga, fuge [G], fuguette, fugen [G,pl]—a contrapuntal procedure (form) involving a musical subject (theme) that is successively imitated by multiple overlapping voices. There is a vast canon of rules (concepts) for creating elaborate and diverse fugues with an infinite variety of character based on fairly specific parameters. Fugues (or partial fugato) are found throughout classical music from the late Renaissance to the present.
- larghetto—slow, but a bit faster than largo
- lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- prelude, prélude, präludium [G], präludien [G, pl], praeludium, preludio—a movement preceding another almost by way of introduction: to let listeners and players acclimate, often to prepare for greater demands ahead
- quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
- semplice [I], con semplicità, semplicemente—simple, unaffected
- string quartet, Streichquartett [G], quatuor à cordes [F], quartetto d'archi [I], quartetto di cordi [I], cuarteto de cuerda [S], vonósnégyes [H]—ensemble or a work written for that ensemble comprising 2 violins, viola, and cello. This is one of the essential genres/forms/ensembles of chamber music and arguably a critical "core" of "classical" music. Explore the string quartet | wiki
- sur [I]—about, over, upon
- tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener