Theme and Variations (for flute and string quartet), Op. 80
(for flute, 2 violins, viola and cello)
Theme. Lento di molto, sempre espressivo. Variation I-VI
Duration: 22 minutes (approximately)
Composed:
1916 (age 48-49)
Published:
1920 (age 52-53)
2 recordings,
2 videos
21:21
Doriot Anthony Dwyer, Manhattan String Quartet
20:54
Wincenc, et. al.
Related Composers
glossary
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
espressivo [It], con espressione, expressif [Fr]—expressive, with expression.with feeling
lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
molto [It]—very much
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
sempre—always, throughout, continuously
string quartet, Streichquartett [G], quatuor à cordes [F], quartetto d'archi [I], quartetto di cordi [I], cuarteto de cuerda [S], vonósnégyes [H]—an ensemble as well as music written for that ensemble comprising 2 violins, viola and cello. This is one of the essential genres / forms / ensembles of chamber music and arguably a critical "core" of "classical" music. Explore the string quartet.
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener
variation, variazione, variatio, variato, variata—a modified re-iteration of a previous theme, reprise, couplet, etc. The music is varied, embellished or creatively transformed for variety while maintaining a unity relationship with the original. See "Theme and Variations."