Anton Eberl (1765-1807)
Nationality:
Austrian
Born: June 13, 1765, Vienna Died: March 11, 1807, Vienna (age 41)
Grand Trio in E-flat major, Op. 36
(for clarinet, cello and piano)
| 10:41 | I. | Andante maestoso - Allegro con spirito | |
| 7:48 | II. | Adagio non troppo ma con espressione | |
| 2:52 | III. | Scherzo. Molto vivace - Trio | |
| 7:21 | IV. | Allegretto |
Duration: 30 minutes (approximately)
Composed:
1806 (age 40-41)
Published:
1807 (age 41-42)
2 recordings,
8 videos
autoopen
autoplay
10:34
Consortium Classicum
I.
Andante maestoso - Allegro con spirito
8:37
Consortium Classicum
II.
Adagio non troppo ma con espressione
3:08
Consortium Classicum
III.
Scherzo. Molto vivace - Trio
7:13
Consortium Classicum
IV.
Allegretto
10:47
Nicole van Bruggen, Anneke Veenhoff, Bas van Hengel
I.
Andante maestoso - Allegro con spirito
6:59
Nicole van Bruggen, Anneke Veenhoff, Bas van Hengel
II.
Adagio non troppo ma con espressione
2:35
Nicole van Bruggen, Anneke Veenhoff, Bas van Hengel
III.
Scherzo. Molto vivace - Trio
7:29
Nicole van Bruggen, Anneke Veenhoff, Bas van Hengel
IV.
Allegretto
Related Composers
Wolfgang Amadeus Mozart (1756-1791)
Teacher
Nationality:
Austrian
Born: January 27, 1756, Salzburg Died: December 5, 1791, Vienna (age 35)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- espressivo [It], con espressione, expressif [Fr]—expressive, with expression.with feeling
- ma—but, however
- maestoso—With dignity and nobility; majestic
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
- spirito, con spirito, spiritoso, spirituoso—Spirited, lively
- trio (1)—an ensemble or work for 3 players
- trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.
- troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
- vivace—brisk, lively tempo faster than allegro