Anton Eberl (1765-1807)
Nationality:
Austrian
Born: June 13, 1765, Vienna Died: March 11, 1807, Vienna (age 41)
Violin Sonata in B-flat major, Op. 35
(for violin and piano)
| 10:21 | I. | Allegro con fuoco | |
| 7:23 | II. | Adagio più tosto Andante | |
| 7:30 | III. | Rondo. Vivace assai |
Duration: 26 minutes (approximately)
Composed:
1805 (age 39-40)
1 recording,
3 videos
autoopen
autoplay
10:21
Dayeon Hong, Heejung Kang
I.
Allegro con fuoco
7:23
Dayeon Hong, Heejung Kang
II.
Adagio più tosto Andante
7:30
Dayeon Hong, Heejung Kang
III.
Rondo. Vivace assai
Related Composers
Wolfgang Amadeus Mozart (1756-1791)
Teacher
Nationality:
Austrian
Born: January 27, 1756, Salzburg Died: December 5, 1791, Vienna (age 35)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- fuoco, con fuoco, avec feu [Fr], mit Feuer [G], feurig [G]—fire, fiery; passionately, burning energy and excitement; impetuously
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- tosto, più tosto, piuttosto—fast; (somewhat) more quickly
- violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.
- vivace—brisk, lively tempo faster than allegro