Anton Rubinstein (1829-1894)

Nationality: Russian

Born: November 28, 1829, Vikhvatintsï, Ukraine Died: November 20, 1894, Peterhof (age 65)

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Viola Sonata in f minor, Op. 49

(for viola and piano)

		I.	Moderato
		II.	Andante
		III.	Moderato con moto
		IV.	Allegro assai

Duration: 34 minutes (approximately)

Composed: 1855 (age 25-26)

Published: 1857 (age 27-28)

1 recording, 1 videos

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33:51

Gastaldello, Baudoux

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
assai—very much. Intensifies the direction of its neighboring words, e.g. "allegro assai", very fast
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.