Scores & Links
IMSLP (score)
Quartet in G major, Op. 2, No. 5
(for 2 violins, viola and continuo)
| 4:40 | I. | Allegro | |
| 3:16 | II. | Sostenuto e legato | |
| 3:22 | III. | Andantino ma spiritoso |
Duration: 12 minutes (approximately)
Published:
1778, London (age 47-48)
Dedication: James Harris, Esq. M.P.
Note: Sei quartetti
1 recording,
3 videos
autoopen
autoplay
4:40
Quartetto Stauffer: Carlo Feige, Antonio Mastalli, Claudio Pavolini, Marco Decimo
I.
Allegro
3:16
Quartetto Stauffer: Carlo Feige, Antonio Mastalli, Claudio Pavolini, Marco Decimo
II.
Sostenuto e legato
3:22
Quartetto Stauffer: Carlo Feige, Antonio Mastalli, Claudio Pavolini, Marco Decimo
III.
Andantino ma spiritoso
Related Composers
Johann Amon (1763-1825)
Student
Nationality:
German
Born: 1763, Bamberg Died: March 29, 1825, Wallerstein (age 62)
glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
- basso continuo [I], continuo, b.c., figured bass, thoroughbass, basse chifrée [F], fondement [F], basso generale [I]—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- e [It]—and
- legato [I]—smooth, connected, slurred, bound together
- ma—but, however
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
- sostenuto [I], soutenu [F], sostenido [S]—sustained, perhaps a bit slow
- spirito, con spirito, spiritoso, spirituoso—Spirited, lively
- string quartet, Streichquartett [G], quatuor à cordes [F], quartetto d'archi [I], quartetto di cordi [I], cuarteto de cuerda [S], vonósnégyes [H]—ensemble or a work written for that ensemble comprising 2 violins, viola, and cello. This is one of the essential genres/forms/ensembles of chamber music and arguably a critical "core" of "classical" music. Explore the string quartet | wiki