Antonio Sacchini (1730-1786)

Nationality: Italian

Born: June 14, 1730, Florence Died: October 6, 1786, Paris (age 56)

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Classical

18th Century

Trio Sonata in E-flat major, Op. 1, No. 5

(for 2 violins and continuo)

4:55	I.	Allegro
8:17	II.	Lento
2:25	III.	Minuetto

Duration: 16 minutes (approximately)

Published: c. 1775, London (age 44-45)

18th Century

Classical

1 recording, 3 videos

autoopen autoplay

4:55

Trio Stauffer

I. Allegro

8:17

Trio Stauffer

II. Lento

2:25

Trio Stauffer

III. Minuetto

Related Composers

Johann Amon (1763-1825)

Student

Nationality: German

Born: 1763, Bamberg Died: March 29, 1825, Wallerstein (age 62)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
basso continuo [I], continuo, b.c., figured bass, thoroughbass, basse chifrée [F], fondement [F], basso generale [I]—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
trio (1)—an ensemble or work for 3 players
trio sonata, sonate en trio, sonata a tre—A chief form/genre of chamber music in the Baroque era. The "trio" indicates three components or parts: two soloists and a bass with continuo. Typically comprises multiple movements in a variety of layouts. Explore the trio sonata. | wiki