Antonio Vivaldi (1678-1741)

Nationality: Italian

Born: March 4, 1678, Venice Died: July 28, 1741, Vienna (age 63)

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Sonata in e minor, Op. 14, No. 5, RV. 40

(for cello and continuo)

2:59	I.	Largo
2:34	II.	Allegro
3:03	III.	Largo
1:34	IV.	Allegro

Duration: 11 minutes (approximately)

2 recordings, 6 videos

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5:56

Pulcinella

(part 1)

5:37

Pulcinella

(part 2)

2:59

Les Basses Reunis

I. Largo

2:34

Les Basses Reunis

II. Allegro

3:03

Les Basses Reunis

III. Largo

1:34

Les Basses Reunis

IV. Allegro

Related Composers

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
largo—slow, solemn, sustained.slower than lento. faster than grave
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki