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Arcangelo Corelli

Arcangelo Corelli (1653-1713)

Nationality: Italian
Born: February 17, 1653, Fusignano Died: January 8, 1713, Rome (age 59)
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Sonata in e minor, Op. 5, No. 8

(for violin and continuo)
4:12 I. Preludo. Largo
2:11 II. Allemanda. Allegro
2:38 III. Sarabanda. Largo
2:04 IV. Giga. Allegro
Duration: 12 minutes (approximately)
Published: 1700 (age 46-47)
4 recordings, 11 videos
autoopen autoplay
4:56
Lina Tur Bonet, Musica Alchemica
I. Preludo. Largo
2:21
Lina Tur Bonet, Musica Alchemica
II. Allemanda. Allegro
2:36
Lina Tur Bonet, Musica Alchemica
III. Sarabanda. Largo
2:05
Lina Tur Bonet, Musica Alchemica
IV. Giga. Allegro
3:28
Nigel North, Trio Sonnerie
I. Preludo. Largo
2:01
Nigel North, Trio Sonnerie
II. Allemanda. Allegro
2:40
Nigel North, Trio Sonnerie
III. Sarabanda. Largo
2:02
Nigel North, Trio Sonnerie
IV. Giga. Allegro
10:17
Unknown ensemble (complete)
5:40
Baudet and Belder
(part 1)
4:36
Baudet and Belder
(part 2)

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glossary

  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • allemande, allemanda, allemand, almain, almaine, alman—In the Renaissance/Baroque eras, a moderately slow, serious dance usually in duple meter and binary form. Often the first movement of suite. From the French word for "German." Later usage (e.g. Haydn, etc.) might suggest more generally "in a German style", e.g. a folk dance, perhaps even lively and in a triple meter like a Ländler.
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
  • gigue, jig, giga, gigg—A lively dance (of English origin); often the finale of a Baroque suite. Compound meters exhibit both duple and triple meter rhythms.
  • largo—slow, solemn, sustained.slower than lento. faster than grave
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • prelude, prélude, präludium [G], präludien [G, pl], praeludium, preludio—a movement preceding another almost by way of introduction: to let listeners and players acclimate, often to prepare for greater demands ahead
  • sarabande, saraband, sarabanda—A Spanish Renaissance / Baroque dance in triple meter. In France and Germany, it tended to be slow and stately.
  • sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
  • violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.