chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
coda—end (related to "tail"). The final passage or section of music. Conclusion. Typically refers to portion of music that is after the formal symmetrical ending of the piece, e.g. a sort of addendum.
e [It]—and
intermezzo, intermedio [S], intermède [F], interlude, Entr'acte—music that is "inserted" (or "interpolated) between two musical entities of greater importance (e.g. movements, acts, verses, etc.). Often suggests music of a lighter character, entertaining contrast or even improvisation.
leggiero, leggero, con leggerezza, léger [F], légèrement, avec légèreté—lightly, nimbly, quick, graceful
quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
sotto voce [I]—softly, in lower tones, under the breath, in an undertone
string quartet, Streichquartett [G], quatuor à cordes [F], quartetto d'archi [I], quartetto di cordi [I], cuarteto de cuerda [S]—an ensemble as well as music written for that ensemble comprising 2 violins, viola and cello. This is one of the essential genres / forms / ensembles of chamber music and arguably a critical "core" of "classical" music. Explore the string quartet.
toccata [I]—from toccare, to touch: traditionally a virtuosic piece for keyboard, often a prelude to something such as a fugue