Approaching a Canon
576 of 586

featured on these lists

Approaching a Canon All Listed Works La Musique de Chambre Harenberg Kulturführer Chamber Music. Radice Music@Menlo
Benjamin Britten

Benjamin Britten (1913-1976)

Nationality: English
Born: November 22, 1913, Lowestoft Died: December 4, 1976, Aldeburgh (age 63)
wikipedia | Britten,_Benjamin

Cello Sonata in C major, Op. 65

(for cello and piano)
6:56 I. Dialogo. Allegro
2:20 II. Scherzo-Pizzicato. Allegretto
6:05 III. Elegia. Lento
2:15 IV. Marcia. Energico
2:23 V. Moto perpetuo. Presto
Duration: 21 minutes (approximately)
Composed: 1961 (age 47-48)
3 recordings, 7 videos
autoopen autoplay
6:56
Johannes Moser, Paul Rivinius
I. Dialogo. Allegro
2:25
Johannes Moser, Paul Rivinius
II. Scherzo-Pizzicato. Allegretto
6:05
Johannes Moser, Paul Rivinius
III. Elegia. Lento
2:15
Johannes Moser, Paul Rivinius
IV. Marcia. Energico
2:23
Johannes Moser, Paul Rivinius
V. Moto perpetuo. Presto
2:14
Webber, McCabe
II. Scherzo-Pizzicato. Allegretto
23:03
Gutman, Richter

Related Composers

Arthur Benjamin
Arthur Benjamin (1893-1960)
Teacher
Nationality: Australian
Born: September 18, 1893, Sydney Died: April 10, 1960, London (age 66)
Frank Bridge
Frank Bridge (1879-1941)
Teacher
Nationality: English
Born: February 26, 1879, Brighton Died: January 10, 1941, Eastbourne (age 61)
John Ireland
John Ireland (1879-1962)
Teacher
Nationality: English
Born: August 13, 1879, Bowdon, Cheshire Died: June 12, 1962, Rock Mill, Washington, Sussex (age 82)
Michael Tippett
Michael Tippett (1905-1998)
Friend/Colleague
Nationality: English
Born: January 2, 1905, London Died: January 8, 1998, London (age 93)

glossary

  • allegretto—moderately quick tempo. slower than allegro but faster than andante
  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • dialogo [I], dialogue [F,E], dialogisch [G]—dialogue, conversation, discussion, e.g. a musical setting featuring a balanced, two-part exchange
  • duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
  • elegy, elégie [F], elegie [G], elegisch, elegiaco, elegaico [I], élégiaque [F], elegia—a plaintive, mournful poem, more specifically a lament for the dead. Usually implies a slow tempo, a minor key and a dark poignancy with potential spikes of tragic agony or, just as well, a gentle, bright flowering into nostalgic love of great tenderness. A musical narrative combining all of these moods is a hauntingly faithful representation of grief
  • energico, con energia, énergique [F], avec énergie [F], energisch [G]—with energy, force, vigor and power
  • lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
  • marcia [I], alla marcia, marche [F], Marsch [G], march [E], marciale, marziale—march, in the manner of a march, e.g. duple meter at a moderate but deliberate pace in a manner which may be proud, grand, like a parade or a show of military bravado.
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • perpetuum mobile, moto perpetuo, perpetual motion—music that progresses with a steady stream of pulses, typically with a fast tempo and a feeling of breathless, endless motion
  • pizzicato—plucked (with the fingers) rather than bowed
  • presto—very fast, more so than allegro.
  • scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
  • sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.