Scores & Links
IMSLP (score)
Quartet No. 3 in D major, Op. 7
(for clarinet, violin, viola and cello)
| 9:02 | I. | Allegro non tanto | |
| 5:44 | II. | Un poco Largo | |
| 4:44 | III. | Menuetto. Allegro - Trio | |
| 6:32 | IV. | Finale. Allegro |
Duration: 22 minutes (approximately)
Composed:
1821 (?) (age 45-46)
Published:
1823 (age 47-48)
Dedication: Mr. H. Brandel ; Count Gustaf Carl Fredrik Loewenhielm
4 recordings,
16 videos
autoopen
autoplay
9:40
László Horváth, et. al.
I.
Allegro non tanto
5:46
László Horváth, et. al.
II.
Un poco Largo
4:38
László Horváth, et. al.
III.
Menuetto. Allegro - Trio
7:04
László Horváth, et. al.
IV.
Finale. Allegro
9:44
Eric Hoeprich, London Haydn Quartet
I.
Allegro non tanto
5:20
Eric Hoeprich, London Haydn Quartet
II.
Un poco Largo
4:26
Eric Hoeprich, London Haydn Quartet
III.
Menuetto. Allegro - Trio
6:49
Eric Hoeprich, London Haydn Quartet
IV.
Finale. Allegro
7:11
Thea King, Allegri String Quartet
I.
Allegro non tanto
5:29
Thea King, Allegri String Quartet
II.
Un poco Largo
4:52
Thea King, Allegri String Quartet
III.
Menuetto. Allegro - Trio
5:09
Thea King, Allegri String Quartet
IV.
Finale. Allegro
9:32
Osmo Vänskä, Pekka Kauppinen, Anu Airas, Ilkka Pälli
I.
Allegro non tanto
5:39
Osmo Vänskä, Pekka Kauppinen, Anu Airas, Ilkka Pälli
II.
Un poco Largo
4:58
Osmo Vänskä, Pekka Kauppinen, Anu Airas, Ilkka Pälli
III.
Menuetto. Allegro - Trio
6:51
Osmo Vänskä, Pekka Kauppinen, Anu Airas, Ilkka Pälli
IV.
Finale. Allegro
Related Composers
Georg Joseph Vogler (1749-1814)
Teacher
Nationality:
German
Born: June 15, 1749, Würzburg Died: May 6, 1814, Darmstadt (age 64)
glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- clarinet quartet—ensemble/work for clarinet and strings, typically the traditional string trio comprising violin, viola, and cello. Note, "clarinet quartet" may refer to a quartet of clarinets, but the frequency of this quartet for clarinet and strings warrants the traditional name. Explore the clarinet quartet | wiki
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- largo—slow, solemn, sustained.slower than lento. faster than grave
- minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- poco, un poco, poco a poco—a little bit, e.g. "andante un poco moto" is andante with a little more motion than typical. "poco a poco" means a little bit at a time, gradually.
- quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
- tanto [I], non tanto—much, as much, so much, e.g. allegro ma non tanto: fast but not too much
- trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.