Camille Saint-Saëns (1835-1921)
Nationality:
French
Born: October 9, 1835, Paris Died: December 16, 1921, Algiers (age 86)
Tarantelle in a minor, Op. 6
(for flute, clarinet and piano)
| Presto ma non troppo |
Duration: 7 minutes (approximately)
Composed:
1857 (age 21-22)
Dedication: Louis Dorus and Adolphe-Marthe Leroy
5 recordings,
5 videos
6:10
William Bennett, Clifford Benson, James Campbell
7:15
Sooyun Kim, Romie de Guise-Langlois, Gilbert Kalish
6:19
Madoka Inui, Peter Schmidl, Wolfgang Schulz
6:35
Hexagon
7:19
Prescott, Irwin, Hall
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glossary
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- ma—but, however
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- presto—very fast, more so than allegro.
- tarantella [I], tarantelle [F]—Southern Italian dance in a rapid 6/8 meter named for the town of Taranto and/or the tarantula spider whose bite would provoke the frenzied dance as a response or cure
- transcription, transcribe—To re-score a work for an ensemble of instruments different from the original version. Typical examples include orchestrating piano or chamber works and visa versa. Within the realm of chamber music, a work for winds might be transcribed for strings, a symphony into a string quartet, a trio featuring a clarinet substituting a viola. One interesting question is: who made the transcription, the original composer? One interesting effect is that the transcription may become favored over the original. One of the most curious transcriptions in all of chamber music is Schoenberg's "Verklärte Nacht", transcribed from string sextet to piano trio with amazing success by one of his students.
- trio (1)—an ensemble or work for 3 players
- troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much