Carl Czerny

Carl Czerny (1791-1857)

Nationality: Austrian
Born: February 21, 1791, Vienna Died: July 15, 1857, Vienna (age 66)
wikipedia | imslp

Piano Trio No. 4 in a minor, Op. 289

(for violin, cello and piano)
11:14 I. Allegro con brio
4:22 II. Scherzo. Presto
5:40 III. Adagio
8:03 IV. Rondo. Allergo capriccioso e vivace
Duration: 30 minutes (approximately)
1 recording, 4 videos
autoopen autoplay
11:14
Berlin Gobel Trio
I. Allegro con brio
4:22
Berlin Gobel Trio
II. Scherzo. Presto
5:40
Berlin Gobel Trio
III. Adagio
8:03
Berlin Gobel Trio
IV. Rondo. Allergo capriccioso e vivace

Related Composers

1800 Muzio Clementi (1752-1832) Ludwig van Beethoven (1770-1827) Johann Hummel (1778-1837) Carl Czerny (1791-1857) Franz Liszt (1811-1886)
Ludwig van Beethoven
Ludwig van Beethoven (1770-1827)
Teacher
Nationality: German
Baptized: December 17, 1770, Bonn Died: March 26, 1827, Vienna (age 56)
Johann Hummel
Johann Hummel (1778-1837)
Teacher
Nationality: Austrian
Born: November 14, 1778, Pressburg (now Bratislava) Died: October 17, 1837, Weimar (age 58)
Muzio Clementi
Muzio Clementi (1752-1832)
Teacher
Nationality: Italian | English
Born: January 23, 1752, Rome Died: March 10, 1832, Evesham, England (age 80)
Franz Liszt
Franz Liszt (1811-1886)
Student
Nationality: Hungarian
Born: October 22, 1811, Raiding Died: July 31, 1886, Bayreuth (age 74)

glossary

  • adagio [It]—slow tempo, often implying a lyrical, poignant character
  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • brio [I], con brio, brioso—vigor, vigorously, with fire
  • capriccio, caprice, capriccioso, capricieux, capricieuse—a short character piece, typically in a humorous, fanciful, or playful manner. The concept juxtaposes the improvisatory free-form fantasy against the more formal, "serious" and logically "worked-out" sonata forms.Within a caprice, the range of expression may well include the serious and dark as well as demanding extraordinary technical skills such as a prelude or etude.
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • con [I,S]—with
  • e [It]—and
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
  • presto—very fast, more so than allegro.
  • rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
  • scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
  • trio (1)—an ensemble or work for 3 players
  • vivace—brisk, lively tempo faster than allegro