adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
alternativo [I]—alternate; e.g. a variation or contrasting section, perhaps like a double or a trio
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
energico, con energia, énergique [F], avec énergie [F], energisch [G]—with energy, force, vigor and power
finale [I], final [F]—The final movement, sometimes explicitly titled thus
ma—but, however
marcia [I], alla marcia, marche [F], Marsch [G], march [E], marciale, marziale—march, in the manner of a march, e.g. duple meter at a moderate but deliberate pace in a manner which may be proud, grand, like a parade or a show of military bravado.
minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
molto [It]—very much
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
piano quintet, quintette à clavier [F], quintette pour piano et cordes [F], Klavierquintett [G], quinteto de piano [Sp], quintetto per pianoforte [I]—ensemble (work) for string quartet plus piano featuring some of the grandest chamber music masterworks and an enduring genre. For an extra rich sound, some piano quintets omit the 2nd violin and add a bass, comprising the complete four-part string section of the orchestra (see Trout Quintet/Instrumentation). Explore the piano quintet | wiki
quasi—almost, almost like, as if
quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.