Scores & Links
IMSLP (score)
Violin Sonata in D major, Op. 11
(for violin and piano)
| I. | Allegro molto e con fuoco | ||
| II. | Andante cantabile e molto sostenuto | ||
| III. | Tempo di Minuetto - Trio | ||
| IV. | Rondo. Allegretto molto vivace quasi presto |
Published:
1853 (age 40-41)
Note: D minor / D major
glossary
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- cantabile, cantate, cantando—singing, lyrical, flowing
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- e [It]—and
- fuoco, con fuoco, avec feu [Fr], mit Feuer [G], feurig [G]—fire, fiery; passionately, burning energy and excitement; impetuously
- minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- presto—very fast, more so than allegro.
- quasi—almost, almost like, as if
- rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
- sostenuto [I], soutenu [F], sostenido [S]—sustained, perhaps a bit slow
- tempo, tempi [pl]—speed or pace at which music progresses. Traditional classic music typically uses standard Italian words to designate the tempo, e.g. Allegro or adagio. Metronome markings provide precise numerical speeds. Tempo selection during performance is a complex artistic choice informed by composer's markings, performance tradition, technical limitations and interpretation.
- trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.
- violin sonata, sonata per violino [I], sonate pour violon [F], Violinsonate [G]—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players. Explore the violin sonata. | wiki
- vivace—brisk, lively tempo faster than allegro