Carl Reinecke (1824-1910)
Nationality:
German
Born: June 23, 1824, Altona Died: March 10, 1910, Leipzig (age 85)
Serenade for Piano Trio in a minor, Op. 126, No. 2
(for violin, cello and piano)
| 3:02 | I. | Marsch. Moderato | |
| 2:53 | II. | Canon in der Unterseptime. Andante sostenuto - Molto più animato | |
| 3:43 | III. | Humoreske. Allegro | |
| 5:34 | IV. | Andante and Variationen. Andantino con moto |
Duration: 16 minutes (approximately)
Composed:
(?) 1873 (age 48-49)
Published:
1874, Leipzig: Kistner (age 49-50)
Dedication: Salomon Jadassohn
1 recording,
4 videos
autoopen
autoplay
3:02
Hyperion Trio
I.
Marsch. Moderato
2:53
Hyperion Trio
II.
Canon in der Unterseptime. Andante sostenuto - Molto più animato
3:43
Hyperion Trio
III.
Humoreske. Allegro
5:34
Hyperion Trio
IV.
Andante and Variationen. Andantino con moto
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glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
- animato, animé [Fr]—lively; animated
- canon, kanon [G]—a strict form of polyphonic, contrapuntal imitation where a series of staggered parts share the same melodic material separated by time and possibly an interval creating both linear and horizontal counterpoint; a simple form of canon is a round (e.g. "Row, Row, Row your Boat")
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- marcia [I], alla marcia, marche [F], Marsch [G], march [E], marciale, marziale—march, in the manner of a march, e.g. duple meter at a moderate but deliberate pace in a manner which may be proud, grand, like a parade or a show of military bravado.
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- piano trio, Klaviertrio [G], Trio avec piano [F]—an ensemble comprising violin, cello and piano.Second only to the string quartet as an essential genre, form and ensemble of chamber music
- più—more
- serenade, serenada, serenata [I], sérénade [F]—A suite of movements like a divertimento with similar connotations of lightheartedness, pleasure and relative calm with an emphasis on lyricism and often beginning with a march. Historically evokes the evening, outdoors, an honorific or amorous tribute, especially from a suitor to a lover in a window or balcony. The word serenade has its Latin origins the Latin word for "calm" or serene. wiki
- sostenuto [I], soutenu [F]—sustained, perhaps a bit slow
- trio (1)—an ensemble or work for 3 players