Carl Reinecke (1824-1910)
Nationality:
German
Born: June 23, 1824, Altona Died: March 10, 1910, Leipzig (age 85)
Trio in a minor, Op. 188
(for oboe, horn and piano)
| 10:39 | I. | Allegro moderato | |
| 4:25 | II. | Scherzo. Molto vivace | |
| 6:26 | III. | Adagio | |
| 6:16 | IV. | Finale. Allegro ma non troppo |
Duration: 26 minutes (approximately)
Composed:
1887 (age 62-63)
2 recordings,
8 videos
autoopen
autoplay
9:24
Mirabelle Trio
I.
Allegro moderato
2:22
Mirabelle Trio
II.
Scherzo. Molto vivace
4:41
Mirabelle Trio
III.
Adagio
5:36
Mirabelle Trio
IV.
Finale. Allegro ma non troppo
11:50
Ingo Goritzki, Barry Tuckwell,Ricardo Requejo
I.
Allegro moderato
3:11
Ingo Goritzki, Barry Tuckwell,Ricardo Requejo
II.
Scherzo. Molto vivace
6:41
Ingo Goritzki, Barry Tuckwell,Ricardo Requejo
III.
Adagio
6:56
Ingo Goritzki, Barry Tuckwell,Ricardo Requejo
IV.
Finale. Allegro ma non troppo
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- ma—but, however
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
- troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
- vivace—brisk, lively tempo faster than allegro