Charles Koechlin (1867-1950)
Nationality:
French
Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)
Bassoon Sonata, Op. 71
(for bassoon and piano)
| 2:49 | I. | Allegro moderato - Allegretto scherzando | |
| 3:43 | II. | Nocturne. Presque adagio | |
| 3:39 | III. | Final. Allegro, vigourersement et rudement rythmé |
Duration: 11 minutes (approximately)
Composed:
1919 (age 51-52)
1 recording,
3 videos
autoopen
autoplay
2:51
Inge-Susann Römhild, Eckart Hübner
I.
Allegro moderato - Allegretto scherzando
4:23
Inge-Susann Römhild, Eckart Hübner
II.
Nocturne. Presque adagio
3:40
Inge-Susann Römhild, Eckart Hübner
III.
Final. Allegro, vigourersement et rudement rythmé
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
- nocturne [F], notturno [I], nocturno, Nachtstück [G]—Night music. A romantic character piece depicting moods of the evening or night: quiet, reflective, perhaps romance and melancholy or even restlessness and fantasy. The most famous nocturnes come originally from the piano literature, e.g. John Field and Chopin, et. al.
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- presque [Fr]—almost
- rude [F], rudement [F]—hard, rough; roughly
- rythmé [F], rythmique, ritmato [I], rhythmisch [G]—measured; in precise rhythm; rhythmic
- scherzando [I], scherzoso, scherzante—playfully, lively, jestingly
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- vigoroso [I], vigorosamente—vigorous, energetic, strong