Scores & Links
IMSLP (score)
Charles Koechlin (1867-1950)
Nationality:
French
Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)
Cello Sonata, Op. 66
(for cello and piano)
| 3:13 | I. | Très modéré | |
| 3:02 | II. | Andante quasi adagio | |
| 5:44 | III. | Final. Allegro non troppo |
Duration: 12 minutes (approximately)
Composed:
1917 (age 49-50)
Premiere:
March 6, 1924. M. L. Laggé, Marius-François Gaillard (piano), Concert SMI, Salle des Agriculteurs
Published:
1923 (age 55-56)
Dedication: à Charles Van Isterdaël
1 recording,
3 videos
autoopen
autoplay
3:13
Bruns, Ishay
I.
Très modéré
3:02
Bruns, Ishay
II.
Andante quasi adagio
5:44
Bruns, Ishay
III.
Final. Allegro non troppo
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quasi—almost, almost like, as if
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
- très [Fr]—very