Charles Koechlin (1867-1950)
Nationality:
French
Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)
Clarinet Sonata No. 1, Op. 85
| 2:31 | I. | Allegro bien décidé et rythmé | |
| 3:46 | II. | Andante quasi adagio | |
| 3:06 | III. | Final. Allegro moderato, sans lenteur, bien allant mais sans précipiter le rythme |
Duration: 8 minutes (approximately)
Composed:
1923 (age 55-56)
2 recordings,
6 videos
autoopen
autoplay
2:36
Jean-Philippe Vivier, Michael Kleiser
I.
Allegro bien décidé et rythmé
3:52
Jean-Philippe Vivier, Michael Kleiser
II.
Andante quasi adagio
3:09
Jean-Philippe Vivier, Michael Kleiser
III.
Final. Allegro moderato, sans lenteur, bien allant mais sans précipiter le rythme
2:26
Florian Henschel, Dirk Altmann
I.
Allegro bien décidé et rythmé
3:40
Florian Henschel, Dirk Altmann
II.
Andante quasi adagio
3:03
Florian Henschel, Dirk Altmann
III.
Final. Allegro moderato, sans lenteur, bien allant mais sans précipiter le rythme
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- Allant [F]—drive, verve, spirit
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- bien [Fr]—well, thoroughly
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- décidé [Fr]—Firm, resolute
- et [Fr]—and
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- mais [F]—but, however
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quasi—almost, almost like, as if
- rythmé [F], rythmique, ritmato [I], rhythmisch [G]—measured; in precise rhythm; rhythmic
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.