Scores & Links
IMSLP (score)
Charles Koechlin (1867-1950)
Nationality:
French
Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)
Flute Sonata, Op. 52
(for flute and piano)
| 3:52 | I. | Adagio molto tranquillo | |
| 2:54 | II. | Allegretto très modéré mais sans traîner (mouvment de sicilienne) | |
| 6:04 | III. | Final. Animé et gai |
Duration: 14 minutes (approximately)
Composed:
1913 (age 45-46)
4 recordings,
8 videos
autoopen
autoplay
4:28
Philippe Racine, Daniel Cholette
I.
Adagio molto tranquillo
2:49
Philippe Racine, Daniel Cholette
II.
Allegretto très modéré mais sans traîner (mouvment de sicilienne)
6:08
Philippe Racine, Daniel Cholette
III.
Final. Animé et gai
13:14
Philippe Racine, Daniel Cholette (complete)
3:16
Michel Debost, Christian Ivaldi
I.
Adagio molto tranquillo
2:58
Michel Debost, Christian Ivaldi
II.
Allegretto très modéré mais sans traîner (mouvment de sicilienne)
5:59
Michel Debost, Christian Ivaldi
III.
Final. Animé et gai
14:22
Ananias, Piccbi
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- animato, animé [Fr]—lively; animated
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- et [Fr]—and
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- gaiement [F], gai, gaie, gaîment, avec gaîté, avec gaieté, gayment—merry, cheerful, gay
- mais [F]—but, however
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- Siciliana, Siciliano, Sicilienne—a musical form often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow 6/8 or 12/8 time with lilting rhythms making it somewhat resemble a slow jig, and is usually in a minor key. It was used for arias in Baroque operas, and often appeared as a movement in instrumental works. The siciliano evokes a pastoral mood, and is often characterized by a large number of dotted rhythms. wiki
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- tranquillo [It], tranquille [F], tranquillement—tranquil, peaceful, soft
- traîner [F]—to drag
- très [Fr]—very