Scores & Links
IMSLP (score)
Charles Koechlin (1867-1950)
Nationality:
French
Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)
Oboe Sonata, Op. 58
(for oboe and piano)
| 7:00 | I. | Allegro moderato. Pastorale - La Terre - Les Travaux des champs - Le Soir | |
| 6:27 | II. | Scherzo. Allegro vivo. Danses de Faunes | |
| 4:41 | III. | Andante (Très calme, presque adagio). Les Soir dans la Campagne | |
| 7:28 | IV. | Final. Allegro moderato, sans traîner |
Duration: 25 minutes (approximately)
Composed:
1911-1916 (age 43-49)
Premiere:
March 18, 1922. M. L. and Mme C. Bleuzet (pf), Salle Érard
2 recordings,
8 videos
autoopen
autoplay
6:47
Lajos Lencsés, Shoshana Rudiakov
I.
Allegro moderato. Pastorale - La Terre - Les Travaux des champs - Le Soir
6:24
Lajos Lencsés, Shoshana Rudiakov
II.
Scherzo. Allegro vivo. Danses de Faunes
4:42
Lajos Lencsés, Shoshana Rudiakov
III.
Andante (Très calme, presque adagio). Les Soir dans la Campagne
6:51
Lajos Lencsés, Shoshana Rudiakov
IV.
Final. Allegro moderato, sans traîner
7:13
Stefan Schilli, et. al.
I.
Allegro moderato. Pastorale - La Terre - Les Travaux des champs - Le Soir
6:30
Stefan Schilli, et. al.
II.
Scherzo. Allegro vivo. Danses de Faunes
4:40
Stefan Schilli, et. al.
III.
Andante (Très calme, presque adagio). Les Soir dans la Campagne
8:04
Stefan Schilli, et. al.
IV.
Final. Allegro moderato, sans traîner
Related Composers
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Darius Milhaud (1892-1974)
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- calmo [I], calmato, calme [F]—calm, tranquil, quiet, still
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- presque [Fr]—almost
- scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- très [Fr]—very
- vivo—lively, intense