Charles Koechlin (1867-1950)
Nationality:
French
Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)
Sonate à 7, Op. 221
(for oboe, flute, harpsichord, 2 violins, viola and cello)
| 2:29 | I. | Andante | |
| 2:46 | II. | Allegro | |
| 4:17 | III. | Andante | |
| 3:43 | IV. | Allegro |
Duration: 14 minutes (approximately)
Composed:
1949 (age 81-82)
2 recordings,
5 videos
autoopen
autoplay
2:29
Stefan Schilli, et. al.
I.
Andante
2:46
Stefan Schilli, et. al.
II.
Allegro
4:17
Stefan Schilli, et. al.
III.
Andante
3:43
Stefan Schilli, et. al.
IV.
Allegro
12:51
Ensemble Initium and Contraste
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glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- septet, septuor [F], septett[G]—seven; ensemble (or work) for seven players
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.