Scores & Links
IMSLP (score)
Charles Koechlin (1867-1950)
Nationality:
French
Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)
Trio, Op. 92
(for flute, clarinet and bassoon)
| 2:21 | I. | Lent (quasi adagio) | |
| 2:48 | II. | Moderato sans lenteur | |
| 5:15 | III. | Fugue. Allegro con moto |
Duration: 11 minutes (approximately)
Composed:
1924, October (age 56-57)
Premiere:
May 6, 1927. René Le Roy (fl), Louis Cahuzac (cl), and Gustave Dhérin (bn), Concert SMI, Salle Gaveau
Published:
1928 (age 60-61)
3 recordings,
7 videos
autoopen
autoplay
2:23
Tatjana Ruhland, Libor Šíma, Dirk Altmann
I.
Lent (quasi adagio)
3:17
Tatjana Ruhland, Libor Šíma, Dirk Altmann
II.
Moderato sans lenteur
5:07
Tatjana Ruhland, Libor Šíma, Dirk Altmann
III.
Fugue. Allegro con moto
2:19
University of Akron students
I.
Lent (quasi adagio)
2:19
University of Akron students
II.
Moderato sans lenteur
5:23
University of Akron students
III.
Fugue. Allegro con moto
10:48
Ruhland, et. al. (complete)
Related Composers
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Henri Sauguet (1901-1989)
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Darius Milhaud (1892-1974)
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- fugue, fuga, fuge [G], fuguette, fugen [G,pl]—a contrapuntal procedure (form) involving a musical subject (theme) that is successively imitated by multiple overlapping voices. There is a vast canon of rules (concepts) for creating elaborate and diverse fugues with an infinite variety of character based on fairly specific parameters. Fugues (or partial fugato) are found throughout classical music from the late Renaissance to the present.
- lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quasi—almost, almost like, as if
- sans [F]—without
- trio (1)—an ensemble or work for 3 players