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IMSLP (score)
Charles Koechlin (1867-1950)
Nationality:
French
Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)
Wind Septet, Op. 165
(for flute, oboe, english horn, clarinet, alto sax, bassoon and horn)
| 2:25 | I. | Monodie | |
| 3:56 | II. | Pastorale | |
| 1:50 | III. | Intermezzo | |
| 1:43 | IV. | Fugue | |
| 3:32 | V. | Sérénité | |
| 1:46 | VI. | Fugue |
Duration: 16 minutes (approximately)
Composed:
1937, June–August (age 69-70)
Premiere:
March 17, 1943. Radio INR, cond. Paul Collaer, Brussels
Published:
1947 (age 79-80)
Dedication: à Paul Collaer
1 recording,
6 videos
autoopen
autoplay
2:07
Ensemble Initium
I.
Monodie
3:45
Ensemble Initium
II.
Pastorale
1:46
Ensemble Initium
III.
Intermezzo
1:34
Ensemble Initium
IV.
Fugue
3:13
Ensemble Initium
V.
Sérénité
1:41
Ensemble Initium
VI.
Fugue
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glossary
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- fugue, fuga, fuge [G], fuguette, fugen [G,pl]—a contrapuntal procedure (form) involving a musical subject (theme) that is successively imitated by multiple overlapping voices. There is a vast canon of rules (concepts) for creating elaborate and diverse fugues with an infinite variety of character based on fairly specific parameters. Fugues (or partial fugato) are found throughout classical music from the late Renaissance to the present.
- intermezzo, intermedio [S], intermède [F], interlude, Entr'acte—music that is "inserted" (or "interpolated) between two musical entities of greater importance (e.g. movements, acts, verses, etc.). Often suggests music of a lighter character, entertaining contrast or even improvisation.
- monodie [F]—melodic composition without written accompaniment
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- pastorale, pastoral—referring to the bucolic setting of shepherds, the countryside and an idealized relationship to nature
- septet, septuor [F], septett[G]—seven; ensemble (or work) for seven players
- sérénité [F]—serenity