Charles Lefebvre (1843-1917)

Nationality: French

Born: June 19, 1843, Paris Died: September 8, 1917, Aix-les-Bains (age 74)

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Cello Sonata in a minor, Op. 98

(for cello and piano)

		I.	Allegro moderato
		II.	Adagio
		III.	Allegro moderato deciso (con brio)

Related Composers

Charles Koechlin (1867-1950)

Student

Nationality: French

Born: November 27, 1867, Paris Died: December 31, 1950, Le Canadel, Var (age 83)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
brio [I], con brio, brioso—vigor, vigorously, with fire
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
deciso [It]—decisive, bold, forceful
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.