Dieterich Buxtehude (c.1637-1707)

Nationality: German | Danish

Born: c.1637, Helsingborg (?) Died: May 9, 1707, Lübeck (age 70)

wikipedia | imslp

Sonata in d minor, Op. 1, No. 6, BuxWV 257

(for violin, bass viol and harpsichord)

		I.	Grave
		II.	Allegro
		III.	Con discretione
		IV.	Allegro
		V.	Adagio
		VI.	Allegro
		VII.	Adagio
		VIII.	Vivace
		IX.	Allegro
		X.	Adagio
		XI.	Poco presto
		XII.	Poco adagio
		XIII.	Presto
		XIV.	Lento

Duration: 9 minutes (approximately)

Published: (?) 1694 (age 57-58)

4 recordings, 4 videos

autoopen autoplay

9:34

Paolo Pandolfo, Ton Koopman, Mike Fentross, Catherine Manson

8:34

Arcangelo

8:23

Trio Sonnerie

8:04

Boston Museum Trio

Related Composers

Johann Adam Reincken (1643-1722)

Friend/Colleague

Nationality: Dutch | German

Baptized: December 10, 1643, Deventer Died: November 24, 1722, Hamburg (age 78)

Johann Theile (1646-1724)

Friend/Colleague

Nationality: German

Born: July 29, 1646, Naumburg Burried: June 24, 1724, Naumburg (age 77)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
grave [I], gravement [F]—Solemn, serious, slow, ponderous
lento, lent [F], lentement [F], avec lenteur [F]—slow (tempo)
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
presto—very fast, more so than allegro.
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
trio sonata, sonate en trio, sonata a tre—one of the chief forms of chamber music in the Baroque era. Trio indicates three components: 2 soloists and continuo (accompaniment). Typically comprises four movements in one of many specific plans.
vivace—brisk, lively tempo faster than allegro