Dmitri Shostakovich (1906-1975)
Nationality:
Russian
|
Soviet
Born: September 25, 1906, St. Petersburg Died: August 9, 1975, Moscow (age 68)
Viola Sonata in C major, Op. 147
(for viola and piano)
| 9:22 | I. | Moderato | |
| 7:15 | II. | Allegretto | |
| 14:42 | III. | Adagio |
Duration: 32 minutes (approximately)
Composed:
1975 (age 68-69)
6 recordings,
18 videos
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autoplay
11:09
Yuri Bashmet, Sviatoslav Richter
I. Moderato
6:20
Yuri Bashmet, Sviatoslav Richter
II. Allegretto
17:01
Yuri Bashmet, Sviatoslav Richter
III. Adagio
9:13
Massimo Paris, Miyuki Washimiya
I. Moderato
7:31
Massimo Paris, Miyuki Washimiya
II. Allegretto
15:03
Massimo Paris, Miyuki Washimiya
III. Adagio
10:06
Gérard Caussé, Brigitte Engerer
I. Moderato
8:01
Gérard Caussé, Brigitte Engerer
II. Allegretto
16:20
Gérard Caussé, Brigitte Engerer
III. Adagio
8:14
Mikhail Tolpygo, Manuel Gonzalez
I. Moderato
7:06
Mikhail Tolpygo, Manuel Gonzalez
II. Allegretto
11:54
Mikhail Tolpygo, Manuel Gonzalez
III. Adagio
8:33
Fyodor Druzhinin, Mikhail Muntian
I. Moderato
6:52
Fyodor Druzhinin, Mikhail Muntian
II. Allegretto
14:28
Fyodor Druzhinin, Mikhail Muntian
III. Adagio
9:22
Erik Ring, Francisca Skoogh
I. Moderato
7:00
Erik Ring, Francisca Skoogh
II. Allegretto
12:07
Erik Ring, Francisca Skoogh
III. Adagio
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glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.