Ebenezer Prout (1835-1909)

Nationality: English

Born: March 1, 1835, Oundle Died: December 5, 1909, Hackney (age 74)

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Flute Sonata in A major, Op. 17

(for flute and piano)

		I.	Allegro con anima
		II.	Romanza. Larghetto
		III.	Rondo. Allegro vivace

Published: 1883 (age 47-48)

glossary

allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
anima [I]—soul, spirit, life, feeling
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
larghetto—slow, but a bit faster than largo
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
romanza, romanze, romance—a title for a work or movement implying a rather personal, tender, sentimental or amorous tone. Typically, lyrical.
rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
vivace—brisk, lively tempo faster than allegro