Eduard Franck (1817-1893)
Nationality:
German
Born: October 5, 1817, Breslau Died: December 1, 1893, Berlin (age 76)
Cello Sonata in F major, Op. 42
(for cello and piano)
| 7:26 | I. | Allegro | |
| 4:59 | II. | Scherzo. Allegro vivace | |
| 9:53 | III. | Adagio molto espressivo | |
| 6:15 | IV. | Presto |
Duration: 27 minutes (approximately)
Published:
(?) 1882 (age 64-65)
2 recordings,
8 videos
autoopen
autoplay
8:16
Thomas Blees, Roswitha Gediga
I.
Allegro
5:35
Thomas Blees, Roswitha Gediga
II.
Scherzo. Allegro vivace
9:29
Thomas Blees, Roswitha Gediga
III.
Adagio molto espressivo
6:17
Thomas Blees, Roswitha Gediga
IV.
Presto
6:36
Yehuda Hanani, James Tocco
I.
Allegro
4:22
Yehuda Hanani, James Tocco
II.
Scherzo. Allegro vivace
10:16
Yehuda Hanani, James Tocco
III.
Adagio molto espressivo
6:12
Yehuda Hanani, James Tocco
IV.
Presto
Related Composers
Richard Franck (1858-1938)
Son
Nationality:
German
Born: January 3, 1858, Cologne Died: January 22, 1938 (age 80)
Felix Mendelssohn (1809-1847)
Teacher
Nationality:
German
Born: February 3, 1809, Hamburg Died: November 4, 1847, Leipzig (age 38)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- espressivo [It], con espressione, expressif [Fr]—expressive, with expression.with feeling
- moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- presto—very fast, more so than allegro.
- scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
- vivace—brisk, lively tempo faster than allegro