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Approaching a Canon All Listed Works La Musique de Chambre Harenberg Kulturführer Chamber Music. Radice Music@Menlo Sonatas. Berger ABC 100 ChamberRelated works
Violin Sonatas by Edvard Grieg All Works by Edvard Grieg Norwegian Violin Sonatas 19th Century Violin Sonatas Romantic Violin Sonatas Nationalist Violin SonatasRelated composers
Norwegian Composers Romantic Composers Nationalist Composers 19th Century Composers
Edvard Grieg (1843-1907)
Nationality:
Norwegian
Born: January 15, 1843, Bergen Died: September 4, 1907, Bergen (age 64)
Violin Sonata No. 3 in c minor, Op. 45
(for violin and piano)
| 9:10 | I. | Allegro molto ed appassionato | |
| 6:31 | II. | Allegretto espressivo alla Romanza | |
| 7:58 | III. | Allegro animato |
Duration: 23 minutes (approximately)
Composed:
1887 (age 43-44)
Published:
1887 (age 43-44)
Dedication: Franz von Lenbach
8 recordings,
18 videos
autoopen
autoplay
9:10
Renaud Capuçon, Khatia Buniatishvili
I.
Allegro molto ed appassionato
6:03
Renaud Capuçon, Khatia Buniatishvili
II.
Allegretto espressivo alla Romanza
7:53
Renaud Capuçon, Khatia Buniatishvili
III.
Allegro animato
9:35
Augustin Dumay, Maria João Pires
I.
Allegro molto ed appassionato
6:28
Augustin Dumay, Maria João Pires
II.
Allegretto espressivo alla Romanza
7:56
Augustin Dumay, Maria João Pires
III.
Allegro animato
25:14
Zenaty, Kubalek
5:52
Steinhardt, Artymiw
II.
Allegretto espressivo alla Romanza
9:25
Prunaru, Protopopescu
I.
Allegro molto ed appassionato
6:57
Prunaru, Protopopescu
II.
Allegretto espressivo alla Romanza
8:39
Prunaru, Protopopescu
III.
Allegro animato
8:25
Kyung Wha Chung, Kulek
I.
Allegro molto ed appassionato
6:56
Kyung Wha Chung, Kulek
II.
Allegretto espressivo alla Romanza
7:37
Kyung Wha Chung, Kulek
III.
Allegro animato
22:50
Kendall, Koenig
9:17
Gimpel, Szpilman
I.
Allegro molto ed appassionato
6:48
Gimpel, Szpilman
II.
Allegretto espressivo alla Romanza
7:46
Gimpel, Szpilman
III.
Allegro animato
Related Composers
Salomon Jadassohn (1831-1902)
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Niels Gade (1817-1890)
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Moritz Hauptmann (1792-1868)
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Ignaz Moscheles (1794-1870)
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Ernst Friedrich Richter (1808-1879)
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Carl Reinecke (1824-1910)
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Julius Röntgen (1855-1932)
friend, colleage
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|
Dutch
Born: May 9, 1855, Leipzig Died: September 13, 1932, Bilthoven (age 77)
glossary
- alla [I], all', à la [F]—to the, in the manner of
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- animato, animé [Fr]—lively; animated
- appassionato, passionato, passionné [F], avec passion, passionnément—passionate; ardent
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- espressivo [I], con espressione, expressif [F], con expresión [S]—expressive, with expression.with feeling
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- romanza, romanze, romance—a title for a work or movement implying a rather personal, tender, sentimental or amorous tone. Typically, lyrical.
- sonata [I], sonate [pl], suonato—Originally, "sounded" rather than "sung" (sonar vs. cantar), i.e. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. "sonata form" and applies to instrumental sonatas, string quartets, symphonies, etc., all examples of the sonata principle. In general usage as a specific work title (e.g. violin sonata), it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. wiki
- violin sonata, sonata per violino [I], sonate pour violon [F], Violinsonate [G]—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players. Explore the violin sonata. | wiki