Egon Kornauth

Egon Kornauth (1891-1959)

Nationality: Austrian
Born: May 14, 1891, Olmütz Died: October 28, 1959, Vienna (age 68)
wikipedia

Cello Sonata in e minor, Op. 28

(for cello and piano)
9:26 I. Allegro con brio
12:18 II. Andante - Allegretto
4:23 III. Rondo
Duration: 26 minutes (approximately)
1 recording, 3 videos
autoopen autoplay
9:26
Benesch, et. al.
I. Allegro con brio
12:18
Benesch, et. al.
II. Andante - Allegretto
4:23
Benesch, et. al.
III. Rondo

glossary

  • allegretto—moderately quick tempo. slower than allegro but faster than andante
  • allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
  • andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
  • brio [I], con brio, brioso—vigor, vigorously, with fire
  • chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
  • duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
  • opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
  • rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
  • sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.