Emil Hartmann (1836-1898)
Nationality:
Danish
Born: February 21, 1836, Copenhagen Died: July 18, 1898, Copenhagen (age 62)
Piano Quintet in g minor, Op. 5
(for 2 violins, viola, cello and piano)
| 12:21 | I. | Poco andante - Allegro | |
| 5:20 | II. | Romanza. Andantino con moto | |
| 3:09 | III. | Scherzo. Allegretto vivo, sempre molto leggiero | |
| 6:21 | IV. | Finale. Allegro molto |
Duration: 28 minutes (approximately)
Composed:
1865 (age 28-29)
1 recording,
4 videos
autoopen
autoplay
12:21
Daniel Blumenthal, Elisabeth Zeuthen Schneider, Nicolas Dupont, Tony Nys, Justus Grimm
I.
Poco andante - Allegro
5:20
Daniel Blumenthal, Elisabeth Zeuthen Schneider, Nicolas Dupont, Tony Nys, Justus Grimm
II.
Romanza. Andantino con moto
3:09
Daniel Blumenthal, Elisabeth Zeuthen Schneider, Nicolas Dupont, Tony Nys, Justus Grimm
III.
Scherzo. Allegretto vivo, sempre molto leggiero
6:21
Daniel Blumenthal, Elisabeth Zeuthen Schneider, Nicolas Dupont, Tony Nys, Justus Grimm
IV.
Finale. Allegro molto
Related Composers
Johan Peter Emilius Hartmann (1805-1900)
Father
Nationality:
Danish
|
German
Born: May 14, 1805, Copenhagen Died: March 10, 1900, Copenhagen (age 94)
glossary
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- leggiero, leggero, con leggerezza, léger [F], légèrement, avec légèreté—lightly, nimbly, quick, graceful
- molto [It]—very much
- moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- piano quintet—ensemble (work) for string quartet plus piano. One of the most grand chamber music forms. For an extra rich sound, some piano quintets omit the 2nd violin and add a bass comprising the complete four-part string section of the orchestra.
- poco, un poco, poco a poco—a little bit, e.g. "andante un poco moto" is andante with a little more motion than typical. "poco a poco" means a little bit at a time, gradually.
- quintet, quintette [F], quintett [G], quintetto [I]—an ensemble / work for 5 players, the typical examples being string quintet (with second viola or cello), piano quintet or woodwind quintet
- sempre—always, throughout, continuously