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Violin Sonata No. 3 in E major, Op. 27
(for violin and piano)
| 6:28 | I. | Allegro moderato | |
| 4:05 | II. | Andantino con innocenza | |
| 7:30 | III. | Agitato con passione | |
| 8:14 | IV. | Allegro molto con fuoco più allegro del primo tempo |
Duration: 27 minutes (approximately)
Composed:
1943 (age 66-67)
1 recording,
4 videos
autoopen
autoplay
6:28
Emmanuele Baldini, Luca Delle Donne
I.
Allegro moderato
4:05
Emmanuele Baldini, Luca Delle Donne
II.
Andantino con innocenza
7:30
Emmanuele Baldini, Luca Delle Donne
III.
Agitato con passione
8:14
Emmanuele Baldini, Luca Delle Donne
IV.
Allegro molto con fuoco più allegro del primo tempo
Related Composers
Josef Rheinberger (1839-1901)
Teacher
Nationality:
German
Born: March 17, 1839, Vaduz, Liechtenstein Died: November 25, 1901, Munich (age 62)
glossary
- agitato, agité [F]—agitated, restless, excited
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- del—of the
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- fuoco, con fuoco, avec feu [Fr], mit Feuer [G], feurig [G]—fire, fiery; passionately, burning energy and excitement; impetuously
- innocente [I], innocentemente, innocenza, innocemment [F]—innocent; simple, plain, "artless"
- moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
- molto [It]—very much
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- passione [I]—passion, feeling
- prima [I], primo—first; often used to designate a part or a return the "first" part as in "come prima", i.e. "like the first part" or "like the beginning"
- tempo, tempi [pl]—speed or pace at which music progresses. Traditional classic music typically uses standard Italian words to designate the tempo, e.g. Allegro or adagio. Metronome markings provide precise numerical speeds. Tempo selection during performance is a complex artistic choice informed by composer's markings, performance tradition, technical limitations and interpretation.
- violin sonata, sonata per violino [I], sonate pour violon [F], Violinsonate [G]—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players. Explore the violin sonata. | wiki