Scores & Links
IMSLP (score)
Erwin Schulhoff (1894-1942)
Nationality:
Czech
|
German
Born: June 8, 1894, Prague Died: August 18, 1942, Wülzburg (age 48)
Divertissement
(for oboe, clarinet and bassoon)
| 1:24 | I. | Ouvertura. Allegro con moto | |
| 1:55 | II. | Burlesca. Allegro molto | |
| 2:07 | III. | Romanzero. Andantino | |
| 1:54 | IV. | Charleston. Allegro | |
| 3:38 | V. | Tema con variazioni e fugato. Andante | |
| 1:44 | VI. | Florida. Allegretto | |
| 1:48 | VII. | Rondino-Finale. Molto allegro con fuoco |
Duration: 16 minutes (approximately)
Composed:
1927 (age 32-33)
Published:
1928 (age 33-34)
2 recordings,
8 videos
autoopen
autoplay
1:20
Adamus Wind Trio
I.
Ouvertura. Allegro con moto
1:59
Adamus Wind Trio
II.
Burlesca. Allegro molto
2:09
Adamus Wind Trio
III.
Romanzero. Andantino
1:47
Adamus Wind Trio
IV.
Charleston. Allegro
4:00
Adamus Wind Trio
V.
Tema con variazioni e fugato. Andante
1:28
Adamus Wind Trio
VI.
Florida. Allegretto
1:47
Adamus Wind Trio
VII.
Rondino-Finale. Molto allegro con fuoco
17:25
Godik, Molchanova, Bukhnikashvili
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glossary
- allegretto—moderately quick tempo. slower than allegro but faster than andante
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
- burlesque, burlesk, burleska, burletta, burla (alla), burlesca, burlando—a number of closely related words suggesting light play, comedy, jesting, mocking, satire and farce
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- con [I,S]—with
- divertimento [I], divertissement [F]—amusement, diversion, entertainment, even table music; Typically, a suite of movements (often more than 4) often intended for diversion and pleasure of a lighthearted nature suitable for social occasions. Typically implies a smaller chamber ensemble. The name was common in 18th century for a variety of music, some of which was more serious and profound than its title would suggest. The French divertissement can apply to an entr'acte: dances and airs from other acts.
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- fugato [I]—in the manner of a fugue; typically implies a partial fugue of brief duration as a section within an larger context such as a sonata
- fuoco, con fuoco, avec feu [Fr], mit Feuer [G], feurig [G]—fire, fiery; passionately, burning energy and excitement; impetuously
- molto [It]—very much
- moto, con moto, di moto—motion, with motion. Somewhat more lively than its context would suggest, e.g. "andante con moto", a little more lively than andante
- overture, ouvertura, ouverture—an introduction, typically in a multi-movement work such as a suite. May introduce or summarize themes to come in subsequent movements.
- rondino [I]—a little rondo
- rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
- tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener