Ewald Straesser (1867-1933)

Nationality: German

Born: June 27, 1867, Burscheid Died: April 4, 1933 (age 65)

wikipedia | imslp

Violin Sonata in D major, Op. 32

(for violin and piano)

		I.	Allegro amabile e con anima, e poi con passione
		II.	Adagio - Allegro non troppo, ma energico
		III.	Allegro molto e energico

Published: 1918 (age 50-51)

Related Composers

Erwin Schulhoff (1894-1942)

Student

Nationality: Czech | German

Born: June 8, 1894, Prague Died: August 18, 1942, Wülzburg (age 48)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
amabile, con amabilità—tender, gentle, kind, amiable
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
e [It]—and
energico, con energia, énergique [F], avec énergie [F], energisch [G]—with energy, force, vigor and power
ma—but, however
molto [It]—very much
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
passione [I]—passion, feeling
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.