Felix Weingartner (1863-1942)

Nationality: Austrian

Born: June 2, 1863, Zara, Dalmatia Died: May 7, 1942, Winterthur (age 78)

wikipedia | imslp

Violin Sonata No. 1 in D major, Op. 42, No. 1

(for violin and piano)

		I.	Overtura. Allegro con brio
		II.	Arioso antico. Adagio
		III.	Rondo. Allegretto grazioso

Published: 1907 (age 43-44)

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Franz Liszt (1811-1886)

Teacher

Nationality: Hungarian

Born: October 22, 1811, Raiding Died: July 31, 1886, Bayreuth (age 74)

Carl Reinecke (1824-1910)

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Nationality: German

Born: June 23, 1824, Altona Died: March 10, 1910, Leipzig (age 85)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
antico [I]—ancient, antique, old
arioso [I]—singing, melodic, in the manner of an aria
brio [I], con brio, brioso—vigor, vigorously, with fire
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
grazioso [I], con grazia, gratioso, graziös [G], Mit Grazie—graceful, gracefully; easy
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
violin sonata—a multi-movement work for violin and keyboard (or continuo) though there are sonatas for solo violin as well as sonatas in a single movement. While the violin would seem to be the featured instrument, many sonatas starting with the classical period find the piano to be an equal partner in the sense of a chamber work for two players.