Ferdinand Fränzl (1767-1833)

Nationality: German

Born: May 24, 1767, Schwetzingen Died: October 27, 1833, Mannheim (age 66)

wikipedia | imslp

Flute Quartet in D major, Op. 10, No. 2

(for flute, violin, viola and cello)

		I.	Allegro
		II.	Andante. Thema con variazioni
		III.	Allegretto

Composed: c. 1810 (age 42-43)

Related Composers

Ignaz Pleyel (1757-1831)

Teacher

Nationality: Austrian

Born: June 18, 1757, Ruppersthal Died: November 14, 1831, Paris (age 74)

glossary

allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
Flute quartet—Common name for popular chamber ensemble (work) comprising flute, violin, viola and cello (rather than 4 flutes!). This ensemble was especially popular in the "gallant" early classical period particularly for domestic music making by royal and common flutist alike.
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener