Ferdinand Ries (1784-1838)
Nationality:
German
Baptized: November 28, 1784, Bonn Died: January 13, 1838, Frankfurt (age 53)
Clarinet Trio, Op. 28
(for clarinet, cello and piano)
| 8:56 | I. | Allegro | |
| 4:54 | II. | Scherzo | |
| 3:51 | III. | Adagio | |
| 6:24 | IV. | Rondo. Allegro ma non troppo |
Duration: 24 minutes (approximately)
Composed:
1810 (age 25-26)
3 recordings,
9 videos
autoopen
autoplay
8:45
Trio Ecco
I.
Allegro
4:58
Trio Ecco
II.
Scherzo
3:36
Trio Ecco
III.
Adagio
6:24
Trio Ecco
IV.
Rondo. Allegro ma non troppo
24:31
Weverbergh, Gasparovic, Ilisavsky (complete)
9:29
Weverbergh, Gasparovic, Ilisavsky
I.
Allegro
4:44
Weverbergh, Gasparovic, Ilisavsky
II.
Scherzo
3:39
Weverbergh, Gasparovic, Ilisavsky
III.
Adagio
6:41
Weverbergh, Gasparovic, Ilisavsky
IV.
Rondo. Allegro ma non troppo
Related Composers
Ludwig van Beethoven (1770-1827)
Teacher
Nationality:
German
Baptized: December 17, 1770, Bonn Died: March 26, 1827, Vienna (age 56)
Johann Albrechtsberger (1736-1809)
Teacher
Nationality:
Austrian
Born: February 3, 1736, Klosterneuburg Died: March 7, 1809, Vienna (age 73)
Bernhard Romberg (1767-1841)
Teacher
Nationality:
German
Born: November 13, 1767 Died: August 13, 1841 (age 73)
glossary
- adagio [It]—slow tempo, often implying a lyrical, poignant character
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- ma—but, however
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
- scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
- trio (1)—an ensemble or work for 3 players
- troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much