Scores & Links
IMSLP (score)
Florian Gassmann (1729-1774)
Nationality:
Bohemian
|
Czech
Born: May 3, 1729, Brüx Died: January 20, 1774, Vienna (age 44)
String Quartet in A major, Op. 1, No. 3, H. 433
(for 2 violins, viola and cello)
| I. | Andante | ||
| II. | Allegro | ||
| III. | Minuetto - Trio |
Composed:
1768 (?) (age 38-39)
Related Composers
Antonio Salieri (1750-1825)
Student
Nationality:
Italian
Born: August 18, 1750, Legnago Died: May 7, 1825, Vienna (age 74)
Johann Baptist Vaňhal (1739-1813)
Student
Nationality:
Czech
|
Bohemian
Born: May 12, 1739, Nechanice Died: August 20, 1813, Vienna (age 74)
glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
- minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
- obbligato [I], obligé [F]—required, necessary, indispensable, obligatory. For instrumentation, the part is required (vs. ad libitum). When associated with Baroque continuo parts, it requires a specific instrument. When used with a keyboard part (e.g. Bach), it may imply a literal, thoroughly written out part vs. the more usual "improvised" (e.g. realized) continuo part at the discretion of the performer.
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- quartet, quatuor [F], quartett [G], quartetto [I], cuarteto [S]—ensemble or work for four players the most important examples being the string quartet and the piano quartet
- string quartet, Streichquartett [G], quatuor à cordes [F], quartetto d'archi [I], quartetto di cordi [I], cuarteto de cuerda [S], vonósnégyes [H]—ensemble or a work written for that ensemble comprising 2 violins, viola, and cello. This is one of the essential genres/forms/ensembles of chamber music and arguably a critical "core" of "classical" music. Explore the string quartet | wiki
- trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.