Francesco Bonporti (1672-1749)

Nationality: Italian

Baptized: June 11, 1672, Trent Died: December 19, 1749, Padua (age 77)

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Sonata a tre in A major, Op. 1, No. 10

(for 2 violins, cello and continuo)

0:47	I.	Spiccato
1:12	II.	Tempo giusto
1:55	III.	Adagio e spiccato
0:58	IV.	Presto

Duration: 5 minutes (approximately)

Published: 1696 (age 23-24)

1 recording, 4 videos

autoopen autoplay

0:47

Labirinti Armonici

I. Spiccato

1:12

Labirinti Armonici

II. Tempo giusto

1:55

Labirinti Armonici

III. Adagio e spiccato

0:58

Labirinti Armonici

IV. Presto

Related Composers

Arcangelo Corelli (1653-1713)

Teacher

Nationality: Italian

Born: February 17, 1653, Fusignano Died: January 8, 1713, Rome (age 59)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
continuo, basso continuo, b.c., figured bass, thorough bass, basse chifrée—During the Baroque Era, a term for an improvised (realized) instrumental accompaniment specified by a symbolic notation for chords and a written bass line (i.e. figured bass). A continuo "part" usually implies multiple (but typically unspecified) instruments, e.g. one for a strong bass line (e.g. cello) and another for chords (e.g. lute, keyboard, organ). A continuo part may be realized by keyboard alone, and sometimes played by a bass melody instrument alone (without harmonies). wiki
e [It]—and
giusto—just, right, strict, exact, true
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
presto—very fast, more so than allegro.
sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.
spiccato [I]—staccato, detached, short, distinct, light; the opposite of legato. eventually, the term came to mean a specific, bouncing, bowing technique for violin
tempo, tempi [pl]—speed or pace at which music progresses. Traditional classic music typically uses standard Italian words to designate the tempo, e.g. Allegro or adagio. Metronome markings provide precise numerical speeds. Tempo selection during performance is a complex artistic choice informed by composer's markings, performance tradition, technical limitations and interpretation.
trio sonata, sonate en trio, sonata a tre—one of the chief forms of chamber music in the Baroque era. Trio indicates three components: 2 soloists and continuo (accompaniment). Typically comprises four movements in one of many specific plans.