Born: June 15, 1749, WürzburgDied: May 6, 1814, Darmstadt (age 64)
glossary
alla [I], all', à la [F]—to the, in the manner of
allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
minuet, menuet [F], Menuett [G], menuetto [I], minuetto [I]—A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo.It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo.
moderato [I], moderamente, modéré [F], modérément [F]—moderately, at a moderate tempo, applying a touch of restraint to its related word(s), e.g. allegro moderato
ongarese [I], ungherese, ungarese—Hungarian. Often used to mean "Gypsy" or in the "Gypsy style" after the manner of the verbunkos recruiting dance(s) or the related, later csárdás dance(s), both of which represent an amalgam of folk and popular origins and styles often played most famously by Gypsy (i.e. Romani) bands or leading musicians, e.g. János Bihari.
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki