Franz Schubert (1797-1828)

Nationality: Austrian

Born: January 31, 1797, Vienna Died: November 19, 1828, Vienna (age 31)

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Fantasy in C major, Op. 159, D. 934

(for violin and piano)

Andante molto - Allegretto - Andantino - Allegro - Allegretto - Presto

Duration: 23 minutes (approximately)

Composed: 1827 (age 29-30)

Published: 1850

4 recordings, 7 videos

expand

24:27

Beilman, Pohjonen

12:11

Oistrakh, Bauer

(part 1 of 2)

9:57

Oistrakh, Bauer

(part 2 of 2)

9:16

Kogan, Mytnik

(part 1 of 3)

7:46

Kogan, Mytnik

(part 2 of 3)

6:16

Kogan, Mytnik

(part 3 of 3)

21:23

Busch, Serkin

Related Composers

Johann Hummel (1778-1837)

Friend/Colleague

Nationality: Austrian

Born: November 14, 1778, Pressburg (now Bratislava) Died: October 17, 1837, Weimar (age 58)

glossary

allegretto—moderately quick tempo. slower than allegro but faster than andante
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
fantasia, fantasy, fantazy, fantazia, phantasy, phantasie, fancy, fantasie [G], fantaisie [F] —generally, a piece of music favoring a free flight of expression over strict adherence to formal rules; suggesting an improvisational character. However, there are at least two more specific historical meanings: 1) the fantasia/fantasie/fancy of English Renaissance viol consort music and 2) Cobbett's Phantasie, an early 20th century form of single-movement chamber music inspired by the Renaissance fancy with the goal of stimulating new English chamber or "consort" music.
molto [It]—very much
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
presto—very fast, more so than allegro.
rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
tema con variazioni, con variazioni, Tema e variazioni, theme and variations, Thema mit Variationen [G], Thème varié [F]—a common movement form featuring an initial theme followed by a series of variations on that theme, each of which adjusts any number of parameters to achieve variety, e.g. tempo, rhythm, key, instrumentation, etc.A challenge to the composers ingenuity and a delight for the listener