Friedrich Fesca (1789-1826)

Nationality: German

Born: February 15, 1789, Magdeburg Died: May 24, 1826, Karlsruhe (age 37)

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Quatour Brilliant for Flute Quartet No. 2 in G major, Op. 38

(for flute, violin, viola and cello)

		I.	Allegro
		II.	Poco Adagio. Semplice e con espressione
		III.	Scherzo. Vivace ma non troppo - Trio
		IV.	Finale. Allegro

Duration: 23 minutes (approximately)

Published: 1825 (age 35-36)

Related Composers

Alexander Fesca (1820-1849)

Son

Nationality: German

Born: March 22, 1820, Karlsruhe Died: February 22, 1849, Brunswick (age 28)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
con [I,S]—with
e [It]—and
espressivo [It], con espressione, expressif [Fr]—expressive, with expression.with feeling
finale [I], final [F]—The final movement, sometimes explicitly titled thus
Flute quartet—Common name for popular chamber ensemble (work) comprising flute, violin, viola and cello (rather than 4 flutes!). This ensemble was especially popular in the "gallant" early classical period particularly for domestic music making by royal and common flutist alike.
ma—but, however
non—not, no
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
poco, un poco, poco a poco—a little bit, e.g. "andante un poco moto" is andante with a little more motion than typical. "poco a poco" means a little bit at a time, gradually.
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
semplice [I], con semplicità—simple, unaffected
trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.
troppo [I], non troppo, trop [F]—too, too much. non troppo means "not too much". e.g. "Allegro ma non troppo" means fast, but not too much
vivace—brisk, lively tempo faster than allegro