Friedrich Fesca (1789-1826)

Nationality: German

Born: February 15, 1789, Magdeburg Died: May 24, 1826, Karlsruhe (age 37)

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String Quintet No. 4 in B-flat major, Op. 20

(for 2 violins, 2 violas and cello)

		I.	Poco Adagio - Allegro
		II.	Andantino
		III.	Scherzo - Trio
		IV.	Rondo. Allegro non troppo

Published: 1821 (age 31-32)

Related Composers

Alexander Fesca (1820-1849)

Son

Nationality: German

Born: March 22, 1820, Karlsruhe Died: February 22, 1849, Brunswick (age 28)

glossary

adagio [It]—slow tempo, often implying a lyrical, poignant character
allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
andantino—faster than andante, slower than allegretto. Sometimes andantino is interpreted as the opposite: slower than andante
chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
poco, un poco, poco a poco—a little bit, e.g. "andante un poco moto" is andante with a little more motion than typical. "poco a poco" means a little bit at a time, gradually.
rondo—sectional movement form featuring a recurring refrain between contrasting episodes in a variety of plans, a typical one being ABACABA (A is the refrain; B and C are episodes). Often used for finales.
scherzo—lively, brisk, typically in a triple meter; usually a three-part form with central, contrasting trio
string quintet, quintette à cordes [F], quintetto d'archi [I], Streichquintett [G], quinteto de cuerdas [S]—ensemble (work) for 5 string players, the string quartet plus guest. The additional instrument might be a viola, cello or bass. The most common choices are named: Viola Quintet, Cello Quintet.
trio (2)—The middle section of three-part (ternary) forms such as the minuet and scherzo yielding the structure: Minuet - Trio - Minuet (repeat). The trio often brings contrast by change of key, tempo, mood or texture i.e. a shift in instrumental scoring.