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Approaching a Canon All Listed Works La Musique de Chambre Harenberg Kulturführer Chamber Music. Radice Sonatas. Berger
Gabriel Fauré (1845-1924)
Nationality:
French
Born: May 12, 1845, Pamiers, Ariège Died: November 4, 1924, Paris (age 79)
Cello Sonata No. 1 in d minor, Op. 109
(for cello and piano)
| 5:22 | I. | Allegro | |
| 7:07 | II. | Andante | |
| 6:35 | III. | Finale. Allegro commodo |
Duration: 18 minutes (approximately)
Composed:
1917 (age 71-72)
5 recordings,
15 videos
autoopen
autoplay
5:12
Thomas Igloi, Clifford Benson
I.
Allegro
6:41
Thomas Igloi, Clifford Benson
II.
Andante
7:11
Thomas Igloi, Clifford Benson
III.
Finale. Allegro commodo
6:02
Luca Magariello, Cecilia Novarino
I.
Allegro
7:24
Luca Magariello, Cecilia Novarino
II.
Andante
7:29
Luca Magariello, Cecilia Novarino
III.
Finale. Allegro commodo
5:25
Frédéric Lodéon, Jean-Philippe Collard
I.
Allegro
7:47
Frédéric Lodéon, Jean-Philippe Collard
II.
Andante
6:27
Frédéric Lodéon, Jean-Philippe Collard
III.
Finale. Allegro commodo
5:16
Stephen Isserlis, Pascal Devoyon
I.
Allegro
6:58
Stephen Isserlis, Pascal Devoyon
II.
Andante
5:39
Stephen Isserlis, Pascal Devoyon
III.
Finale. Allegro commodo
5:01
Maria Kliegel, Nina Tichman
I.
Allegro
6:45
Maria Kliegel, Nina Tichman
II.
Andante
5:44
Maria Kliegel, Nina Tichman
III.
Finale. Allegro commodo
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glossary
- allegro [I]—fast, lively tempo. From the Italian word for cheerful or gay.
- andante [I]—moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto
- chamber music, Kammermusik [G], musique de chambre [F], musica da camera [I], musica cameralis [L]—"Classical Music" for a small ensemble, generally 8 or fewer players with a canonical emphasis on 3-6 players. explore
- comodo [I], commodo—comfortable, unhurried, easy
- duo, duet, dueto [S], duetto [I], duett [G]—a work for two instruments; the ensemble itself
- finale [I], final [F]—The final movement, sometimes explicitly titled thus
- opus [L], opera[pl], Op., Opp, WoO, Op. posth—work, as in a work of art. For unique identification, publishers/composers often assign an "opus number", abbreviated as "Op." (e.g. Op. 1). A range of works by opus number, uses the plural "opp." (e.g. "Opp. 1-3"). A single opus number may refer to a collection of works (e.g. a set of quartets) giving rise to designations like "Op. 1, No. 4". For misc. works without opus numbers, "WoO" is often used (e.g."Without Opus"). Posthumously assigned numbers may use "Op. posth". Opus numbers may not precisely reflect chronology (publication vs. composition), can be erroneous, sparse or duplicative. Thus, the works of some historically important composers may use separate catalog numbers (e.g. Bach, Haydn, Schubert). See wiki
- sonata, sonate, suonato—a complicated term. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. instrumental music. According to historical period, sonata began to imply a formal plan of movements as well as the structure within a single movement, e.g. sonata form. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role.